The Sopranos
October 9th, 2007 by
pattie

I saw my first opera, and, no, I’m not talking about What’s Opera, Doc, the classic Bugs Bunny Wagnerian opera spoof (“Kill the raaaaaaaabit! Kill the raaaaaaaaabit!”) created by Chuck Jones and included as one of only about 100 entries in the National Film Registry. I’m talking a real, live opera performance here, gang. Barritones, basses, tenors, sopranos, the works.
As I stood in the lobby of the Atlanta Civic Center, I froze in time, in space, in senses—or at least, in shock that I was even there on an innocent Sunday afternoon. It was at least two hours before the curtain was scheduled to lift on Fidelio, my first, and Beethoven’s only, opera. As I stood there, alone, I heard the strains of the orchestra warming up, running through scales. Beautiful, but vaguely familiar from other times in my life.
But then. Then. Those voices! “La, la, la, la, la, la laaaaaaa.” There was a chorus of voices, off somewhere in the back, in the distance, in the shadows of the hall, in their last private moments which are in reality not private at all, exposing themselves in all their rawness. I stood there, transfixed and in disbelief that it had taken me so long in life to find this.
Once in my seat, I leaned forward and didn’t know where to look first. The maestro in the pit flailed his arms while, unbeknownst to me, conducting his final performance with the Atlanta Opera after more than twenty years. The orchestra responded. Captions above the curtain translated the original German into English as the singers worked their way around the stark scaffolding depicting a timeless dungeon. And to me, this moment was timeless. And I was freed, finally, from having to wonder what it would be like to attend an opera.
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